Yona Zeldis McDonough
Enemies to lovers… on Hanukkah.
Enemies to lovers… on Hanukkah.
The Polish nurse who rescued Jewish children is fictionalized in Kelly Rimmer’s The Warsaw Orphan.
Broder’s latest novel, Milk Fed, is a reclaiming of tuna salad identity. If tuna is obtrusively smelly, ethnically distinct, and unsexy, in Milk Fed, Broder gives it an overt and lively sexuality.
Joyce’s story was inspired by the thousands of breast cancer patients I’ve had the honor of caring for. I used my observations to make Joyce’s journey as authentic and emotionally resonant as possible.
“I wanted, and still want, to put Jewish women at the center of their own stories.”
I could feel it in the manners, the mores, the very air around me. Vassar was a WASP institution and bastion, and I knew I didn’t entirely belong.
Told from the point-of-view of Marta Eisenstein Lane on the occasion of her 80th birthday, Carol Zoref’s novel Barren Island is the story of a long-forgotten factory island in New York’s Jamaica Bay, where the city’s dead horses and other large animals were rendered into glue and fertilizer from the mid-19th century until the 1930’s.
The reader knows by page one of Queen for a Day that Mimi Slavitt’s three-year-old son is autistic, but if anyone told her, she wouldn’t listen, because she doesn’t want… Read more »
A Jewish-Polish friendship is haunted by the Holocaust in this new novel.
Fiction Editor Yona Zeldis McDonough talks to Rochelle Distelheim about what it feels like to have her debut novel published when she’s in her nineties.