More Posts

Kait Ziegler of the Poor People’s Campaign

And it is truly intersectional. As a feminist, as a woman, and as a queer person of color, the campaign offers me and others like me an analysis that pushes against the distorted narratives we’ve been fed about the inevitability of poverty.

Talking Migration and Beauty with Jewelry Designer Nora Kogan

“I was so used to describing myself as a Russian. I equated being Russian with being Soviet. I discounted both my Jewish and Ukrainian identities. Why? Because I was brainwashed when I was a child. But in fact, I am not Russian. I am Jewish, Ukrainian and Australian.”

Fiction: Vocabulary for Fruit

“I wanted to tell her about the look on my father’s face when I refused to accompany him to the Kol Nidre service…”

This Will Be Funny Later: Jenny Pentland on Fame’s Glare

You might not know who Jenny Pentland is, but if you read her new book, This Will Be Funny Later (Harper, $27.99), you’ll want to; the hilarious memoir, by turns scorching and poignant, reveals what’s like to have one of America’s funniest comedians—Roseanne Barr—for a mother. 

Be a part of the story

Shabbat Shalom 💕

Shabbat Shalom 💕 ...

A century-old feminist Sephardi novel is back...and it’s incredible 💫 

Lilith fiction editor Yona Zeldis McDonough says: "Mazaltob tells the story of a young woman raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century. Sixteen-year-old Mazaltob is betrothed to José, a rather crude sort from her own community. But she is in love with Jean, who is French, half-Jewish, and an unconventional free spirit.  Her competing desires—loyalty to her family, faith and culture, or freedom to love whom she chooses—form the spine of this novel, which exposes the chafing constraints that bound North African Jewish women poised on the cusp of emancipation and decolonization." 

You can read an excerpt on Lilith.org, linked in our bio 📚

A century-old feminist Sephardi novel is back...and it’s incredible 💫

Lilith fiction editor Yona Zeldis McDonough says: "Mazaltob tells the story of a young woman raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century. Sixteen-year-old Mazaltob is betrothed to José, a rather crude sort from her own community. But she is in love with Jean, who is French, half-Jewish, and an unconventional free spirit. Her competing desires—loyalty to her family, faith and culture, or freedom to love whom she chooses—form the spine of this novel, which exposes the chafing constraints that bound North African Jewish women poised on the cusp of emancipation and decolonization."

You can read an excerpt on Lilith.org, linked in our bio 📚
...

Lilith's spring issue has landed at Lilith HQ and it's bringing some much-needed sunshine on this cloudy day! 

Between the covers you'll find: Accessibility for synagogues, Shabbat and disability perspectives, an ostomy "bag mitzvah," "Mom Rage," Israeli and Palestinian Novels,  an investigation of gender-toxic workplaces, and much more!

Subscribers: Your copy is on it's way!
Online readers: Check Lilith.org in the next few days!

#unboxing #springissue #disabilitywisdom #Lilith

Lilith`s spring issue has landed at Lilith HQ and it`s bringing some much-needed sunshine on this cloudy day!

Between the covers you`ll find: Accessibility for synagogues, Shabbat and disability perspectives, an ostomy "bag mitzvah," "Mom Rage," Israeli and Palestinian Novels, an investigation of gender-toxic workplaces, and much more!

Subscribers: Your copy is on it`s way!
Online readers: Check Lilith.org in the next few days!

#unboxing #springissue #disabilitywisdom #Lilith
...

"My Bubbe would have thought that Joan was a “pie in the sky.” She writes of California as if it were Poland." 

In "The Cutting Room," writer Maggie Millstein unravels how Joan Didion is helping her process the current violence in the Middle East. A must-read, linked in our bio. 💥

"My Bubbe would have thought that Joan was a “pie in the sky.” She writes of California as if it were Poland."

In "The Cutting Room," writer Maggie Millstein unravels how Joan Didion is helping her process the current violence in the Middle East. A must-read, linked in our bio. 💥
...