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Coda

Our family had returned from Israel. We had, eventually, embraced the mid-trip loss of our camera. We drew sketches of the special places we had been. We laughed and then… Read more »

Caroline Leavitt on "Pictures of You"

Caroline Leavitt’s new novel—her ninth—starts off with a bang.  Literally.  Isabelle Stein is fleeing her Cape Cod home and husband after learning that not only has been cheating on her… Read more »

Ba'al Tshuva

A ba’al tshuva friend suggested I read William Zinsser’s On Writing Well to help clean up my prose.  I read it like bible roulette.  Make a wish, close your eyes,… Read more »

Jennifer Gilmore on "Something Red"

It’s the summer of 1979 and Sharon­ Goldstein, a professional caterer, is in her Washington, DC kitchen making dinner for her extended family. Her eldest child—Ben—is about to leave for… Read more »

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Shabbat Shalom 💕

Shabbat Shalom 💕 ...

A century-old feminist Sephardi novel is back...and it’s incredible 💫 

Lilith fiction editor Yona Zeldis McDonough says: "Mazaltob tells the story of a young woman raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century. Sixteen-year-old Mazaltob is betrothed to José, a rather crude sort from her own community. But she is in love with Jean, who is French, half-Jewish, and an unconventional free spirit.  Her competing desires—loyalty to her family, faith and culture, or freedom to love whom she chooses—form the spine of this novel, which exposes the chafing constraints that bound North African Jewish women poised on the cusp of emancipation and decolonization." 

You can read an excerpt on Lilith.org, linked in our bio 📚

A century-old feminist Sephardi novel is back...and it’s incredible 💫

Lilith fiction editor Yona Zeldis McDonough says: "Mazaltob tells the story of a young woman raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century. Sixteen-year-old Mazaltob is betrothed to José, a rather crude sort from her own community. But she is in love with Jean, who is French, half-Jewish, and an unconventional free spirit. Her competing desires—loyalty to her family, faith and culture, or freedom to love whom she chooses—form the spine of this novel, which exposes the chafing constraints that bound North African Jewish women poised on the cusp of emancipation and decolonization."

You can read an excerpt on Lilith.org, linked in our bio 📚
...

Lilith's spring issue has landed at Lilith HQ and it's bringing some much-needed sunshine on this cloudy day! 

Between the covers you'll find: Accessibility for synagogues, Shabbat and disability perspectives, an ostomy "bag mitzvah," "Mom Rage," Israeli and Palestinian Novels,  an investigation of gender-toxic workplaces, and much more!

Subscribers: Your copy is on it's way!
Online readers: Check Lilith.org in the next few days!

#unboxing #springissue #disabilitywisdom #Lilith

Lilith`s spring issue has landed at Lilith HQ and it`s bringing some much-needed sunshine on this cloudy day!

Between the covers you`ll find: Accessibility for synagogues, Shabbat and disability perspectives, an ostomy "bag mitzvah," "Mom Rage," Israeli and Palestinian Novels, an investigation of gender-toxic workplaces, and much more!

Subscribers: Your copy is on it`s way!
Online readers: Check Lilith.org in the next few days!

#unboxing #springissue #disabilitywisdom #Lilith
...

"My Bubbe would have thought that Joan was a “pie in the sky.” She writes of California as if it were Poland." 

In "The Cutting Room," writer Maggie Millstein unravels how Joan Didion is helping her process the current violence in the Middle East. A must-read, linked in our bio. 💥

"My Bubbe would have thought that Joan was a “pie in the sky.” She writes of California as if it were Poland."

In "The Cutting Room," writer Maggie Millstein unravels how Joan Didion is helping her process the current violence in the Middle East. A must-read, linked in our bio. 💥
...