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Meryl Ain on “Shadows We Carry”

Author Meryl Ain talks to Lilith about twins, bloodlines, and Jewish identity in her post-Holocaust novel, “Shadows We Carry.”

Can Art Change the World?

Do artists have a responsibility to address social issues? If they do, can their creativity motivate us to heal our world? Two exhibitions at the Heller Museum at Hebrew Union College-Jewish Institute of Religion (HUC-JIR) in New York offer new artistic responses to these questions. 

Alli Frank and Asha Youmans on Their Collaborative Novel

The way two very different women find common ground is at the heart and soul of the novel Never Meant to Meet You and its two authors—one white, the other Black—talk to Yona Zeldis McDonough about how they came together to write it.

A Winding Jewish Journey

Aftermath: Coming-of-Age on Three Continents charts the winding journey of Annette Liebskind Bervokvitz. 

Yahrzeit

“It was not done in my parents’ household.”

Marilyn Singer on “Awe-Some Days”

Yona Zeldis McDonough talks to Marilyn Singer about “Awe-some Days,” a collection of poetry and prose about Jewish holidays for children.

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Shabbat Shalom 💕

Shabbat Shalom 💕 ...

A century-old feminist Sephardi novel is back...and it’s incredible 💫 

Lilith fiction editor Yona Zeldis McDonough says: "Mazaltob tells the story of a young woman raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century. Sixteen-year-old Mazaltob is betrothed to José, a rather crude sort from her own community. But she is in love with Jean, who is French, half-Jewish, and an unconventional free spirit.  Her competing desires—loyalty to her family, faith and culture, or freedom to love whom she chooses—form the spine of this novel, which exposes the chafing constraints that bound North African Jewish women poised on the cusp of emancipation and decolonization." 

You can read an excerpt on Lilith.org, linked in our bio 📚

A century-old feminist Sephardi novel is back...and it’s incredible 💫

Lilith fiction editor Yona Zeldis McDonough says: "Mazaltob tells the story of a young woman raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century. Sixteen-year-old Mazaltob is betrothed to José, a rather crude sort from her own community. But she is in love with Jean, who is French, half-Jewish, and an unconventional free spirit. Her competing desires—loyalty to her family, faith and culture, or freedom to love whom she chooses—form the spine of this novel, which exposes the chafing constraints that bound North African Jewish women poised on the cusp of emancipation and decolonization."

You can read an excerpt on Lilith.org, linked in our bio 📚
...

Lilith's spring issue has landed at Lilith HQ and it's bringing some much-needed sunshine on this cloudy day! 

Between the covers you'll find: Accessibility for synagogues, Shabbat and disability perspectives, an ostomy "bag mitzvah," "Mom Rage," Israeli and Palestinian Novels,  an investigation of gender-toxic workplaces, and much more!

Subscribers: Your copy is on it's way!
Online readers: Check Lilith.org in the next few days!

#unboxing #springissue #disabilitywisdom #Lilith

Lilith`s spring issue has landed at Lilith HQ and it`s bringing some much-needed sunshine on this cloudy day!

Between the covers you`ll find: Accessibility for synagogues, Shabbat and disability perspectives, an ostomy "bag mitzvah," "Mom Rage," Israeli and Palestinian Novels, an investigation of gender-toxic workplaces, and much more!

Subscribers: Your copy is on it`s way!
Online readers: Check Lilith.org in the next few days!

#unboxing #springissue #disabilitywisdom #Lilith
...

"My Bubbe would have thought that Joan was a “pie in the sky.” She writes of California as if it were Poland." 

In "The Cutting Room," writer Maggie Millstein unravels how Joan Didion is helping her process the current violence in the Middle East. A must-read, linked in our bio. 💥

"My Bubbe would have thought that Joan was a “pie in the sky.” She writes of California as if it were Poland."

In "The Cutting Room," writer Maggie Millstein unravels how Joan Didion is helping her process the current violence in the Middle East. A must-read, linked in our bio. 💥
...