Maya Bernstein and Jessica Jacobs
Poets gathered to figure out how to hear and be heard in fraught times.
Crossing the Narrow Bridge
More Posts
“The Path Forward” Follows Those Who Pursue Peace
Helene Meyers
In a world divided, how do we move forward? This much-needed documentary co-directed by Julie Cohen, an American Jew, and Mo Husseini, an American Palestinian, shows us one way.
Awakening to the Other: Behind the Shofar’s Blast
Dani Rader
Pushing the limits of our empathy is central to the holy work of this season.
Chrysanthemums
Gabrielle Ariella Kaplan-Mayer
I dipped a slice of green apple lightly into honey, but the metallic aftertaste of chemo in my mouth turned its sweetness bitter.
Hybrid
Karen Paul
How do we reconcile the disparate pieces of our genetic whorl with the legacy of our lineage?
What Is Left
Penny Jackson
I will never know. I can’t fit all the pieces of my mother’s life together like a jigsaw puzzle.
Disability as Beloved by G-d
Rabbi Lauren Tuchman
I know deeply what it is to feel like I have to make a choice between my spiritual life and my sense of dignity as a disabled person.
My Weekend Working for Peace at Woodstock
Laurel Brett
When I want to position myself in the world I need only one fact: I went to Woodstock.
COVID, Body Image, and Tisha B’Av: How I Watched the Olympics with Exercise Intolerance
Mariah Guevin
It felt different to watch The Olympics this year. It’s not only a reminder of the incredible variety of the human body, but of its fragility.
Be a part of the story
This self-portrait of Charlotte Salomon, a German-Jewish artist who was murdered in Auschwitz, graced the cover of Lilith`s Winter 1994-1995 Issue. Her extraordinary autobiographical paintings and illustrations depict her life during the Nazi Party`s rise to power.
This issue included a special Holocaust section, featuring five women`s stories of survival.
Read it now at lilith.org — link in bio.
#YomHaShoah
This self-portrait of Charlotte Salomon, a German-Jewish artist who was murdered in Auschwitz, graced the cover of Lilith`s Winter 1994-1995 Issue. Her extraordinary autobiographical paintings and illustrations depict her life during the Nazi Party`s rise to power.
This issue included a special Holocaust section, featuring five women`s stories of survival.
Read it now at lilith.org — link in bio.
#YomHaShoah
Looking for a book to meaningfully mark Yom Hashoah (Holocaust Remembrance Day)—and beyond? We have two suggestions for you: "Frida: My Long-Lost Grandmother’s War" by @nina_grunfeld and "Your Presence is Mandatory" by @sashavasilyuk (@bloomsburypublishing).
And in the latest issue of Lilith, check out our interviews by @vikingjewess and @ddouglasgoody with these two debut authors. Link in bio.
Looking for a book to meaningfully mark Yom Hashoah (Holocaust Remembrance Day)—and beyond? We have two suggestions for you: "Frida: My Long-Lost Grandmother’s War" by @nina_grunfeld and "Your Presence is Mandatory" by @sashavasilyuk (@bloomsburypublishing).
And in the latest issue of Lilith, check out our interviews by @vikingjewess and @ddouglasgoody with these two debut authors. Link in bio.
Lilith wants to know: what are you building during this season?
Wonderful food for thought from @rabbisandra via Threads.
Lilith wants to know: what are you building during this season?
Wonderful food for thought from @rabbisandra via Threads.
Happy Monday from Lilith! Enjoy Nancy Graves` work "5745," silkscreen printed in colors.
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"5745, the Hebrew date for 1984, evokes a celebration of creation and life. Among the visual motifs included in this print are a 2nd Century Roman terra cotta votive offering of a woman’s head crowned with a wreath (upper left) and a fragment of a 4th-5th Century Byzantine mosaic of a dove (lower right)."
Learn more at the link in our bio!
Happy Monday from Lilith! Enjoy Nancy Graves` work "5745," silkscreen printed in colors.
--
"5745, the Hebrew date for 1984, evokes a celebration of creation and life. Among the visual motifs included in this print are a 2nd Century Roman terra cotta votive offering of a woman’s head crowned with a wreath (upper left) and a fragment of a 4th-5th Century Byzantine mosaic of a dove (lower right)."
Learn more at the link in our bio!
