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Rabbis have been in the news a lot lately–and we’re happy to share with you the thoughts of two preeminent Jewish feminist thinkers on recent issues regarding the rabbinate. Ordaining… Read more »
Rabbis have been in the news a lot lately–and we’re happy to share with you the thoughts of two preeminent Jewish feminist thinkers on recent issues regarding the rabbinate. Ordaining… Read more »
Now that Passover’s over and we’ve all crossed the sea and the desert back to our normal, hametz-eating lives, it’s time to compare notes. What worked or didn’t work this… Read more »
From the JTA, Monday, March 26, 2007: ” The Jewish Theological Seminary announced Monday that it would change admission policies to accept openly gay students at its rabbinical school. Arnold… Read more »
So apparently, “vagina” is the new bad word at John Jay High School in New York. So bad, in fact, that you can be suspended for saying it at an… Read more »
We all know the joke about how many feminists it takes to screw in a lightbulb. (“Just one–and it’s not funny.“) You would think this stereotype might be combated by… Read more »
As a Jewish woman who considers herself an ardent feminist, I never know if my (spoken or unspoken) messages to my daughter have registered. And as a mother and grandmother,… Read more »
Lilith makes the (web)pages of the JWA blog as people discuss “that tallit article” from our Fall 2006 issue. Check out the post. (Also stay tuned for a photo of… Read more »
I know we’re just past the season where we have to repent our sins, but I just finished reading the incomparable Modern Jewish Girl’s Guide to Guilt. I loved it,… Read more »
Lilith’s Fiction Editor talks to Morelli about “The Night Portrait,” a novel that goes back and forth through time in tracing the fraught journey of Leonardo de Vinci’s famous Lady with the Ermine.
Lilith wants to know: what are you building during this season?
Wonderful food for thought from @rabbisandra via Threads.
Lilith wants to know: what are you building during this season?
Wonderful food for thought from @rabbisandra via Threads.
Happy Monday from Lilith! Enjoy Nancy Graves` work "5745," silkscreen printed in colors.
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"5745, the Hebrew date for 1984, evokes a celebration of creation and life. Among the visual motifs included in this print are a 2nd Century Roman terra cotta votive offering of a woman’s head crowned with a wreath (upper left) and a fragment of a 4th-5th Century Byzantine mosaic of a dove (lower right)."
Learn more at the link in our bio!
Happy Monday from Lilith! Enjoy Nancy Graves` work "5745," silkscreen printed in colors.
--
"5745, the Hebrew date for 1984, evokes a celebration of creation and life. Among the visual motifs included in this print are a 2nd Century Roman terra cotta votive offering of a woman’s head crowned with a wreath (upper left) and a fragment of a 4th-5th Century Byzantine mosaic of a dove (lower right)."
Learn more at the link in our bio!
April is National Poetry Month and we are celebrating by reading Jewish feminist poetry. This week we are rereading Jennifer Anne Moses` first collection of poetry "Domesticity". In a conversation with Lilith Fiction Editor Yona Zeldis McDonough, Moses discusses her poetry`s connection to death, aging, nature, sex, abuse, Judaism, and family.
April is National Poetry Month and we are celebrating by reading Jewish feminist poetry. This week we are rereading Jennifer Anne Moses` first collection of poetry "Domesticity". In a conversation with Lilith Fiction Editor Yona Zeldis McDonough, Moses discusses her poetry`s connection to death, aging, nature, sex, abuse, Judaism, and family.
Discover the gorgeous art of Lili Ország, who drew inspiration from Jewish gravestones in Prague.
As @nwaldnerauthor writes for Lilith, Ország was raised in a prosperous Jewish family in Ungvár (present day Uzhhorod, Ukraine). At the age of fifteen, her entire life was upended by the Nazi occupation of March 1944.
Her family were forced into the ghetto in the Moskovitz brick factory, and in May they were herded onto the cattle cars bound for Auschwitz. Ország only narrowly avoided the death camp when her family were allowed off the train due to her father’s impeccable WWI service record.
The family obtained false papers, converted to Christianity, and for a time Lili Ország became Éva, a Catholic refugee from Transylvania. She survived the rest of the war in Budapest, eventually enrolling in art school.
This was just the beginning of a prolific artistic career that spanned over 20 years.
🖼️ : Lili Ország, "Labyrinth with orans," 1974, oil on fiberboard, @fovarosikeptar, Budapest.
Discover the gorgeous art of Lili Ország, who drew inspiration from Jewish gravestones in Prague.
As @nwaldnerauthor writes for Lilith, Ország was raised in a prosperous Jewish family in Ungvár (present day Uzhhorod, Ukraine). At the age of fifteen, her entire life was upended by the Nazi occupation of March 1944.
Her family were forced into the ghetto in the Moskovitz brick factory, and in May they were herded onto the cattle cars bound for Auschwitz. Ország only narrowly avoided the death camp when her family were allowed off the train due to her father’s impeccable WWI service record.
The family obtained false papers, converted to Christianity, and for a time Lili Ország became Éva, a Catholic refugee from Transylvania. She survived the rest of the war in Budapest, eventually enrolling in art school.
This was just the beginning of a prolific artistic career that spanned over 20 years.
🖼️ : Lili Ország, "Labyrinth with orans," 1974, oil on fiberboard, @fovarosikeptar, Budapest.