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A Kaddish in Havana

I think of her not just as the source of my wallets and maracas, but as a hero of the revolution, someone who stayed when so many of her peers left.

Elegy for a Mentor

I took the job, marveling that my mentor could pay someone to research his whims, too obtuse to appreciate that he was buying me writing time on his own dime.

Wabi-Sabi

Miriam sets her alarm at 8.30 a.m. every morning even though she is dying. 

Fiction: Dayan

God has quieted the wind, the moon is shining a path to the desert. 

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🌙 STOP SCROLLING! 🌙

It’s time for your Rosh Chodesh (new moon) check in! Join Rabbi Jaymee Alpert of Neshama Body and Soul for a minute of mindful movement and reflection to kick off the month of Shevat 🌱

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How Jewish Was My Mother’s Civil Rights Activism?

In that watershed year of “Freedom Summer” — 1964 — the National Council of Negro Women (NCNW) created a women’s social-change project to support the civil rights movement; they named it Wednesdays in Mississippi. The project’s middle-class organizers were all women; the staff was all female, and so were the participants. 

Dorothy Height, the national president of the NCNW and guiding spirit behind  all of its work, and my mother, Polly Spiegel Cowan, a white Jewish Northerner, organized this unprecedented exercise in boundary-crossing. Week after week, for two summers, interracial and interfaith teams of Northern women flew into Jackson, Mississippi.

Learn more about these two incredible women in “Wednesdays in Mississippi” by Holly Cowan Shulman, originally published in Lilith’s Winter 2014 issue—🔗 in bio! 

Photo: National Park Services; Mary Mcleod Bethune Council House National Historic Site; DC-WAMMB; National Archives For Black Women’s History. Photographer unknown.

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Tamar Sagiv, an Israeli-born New York-based cellist and composer, recently released her debut album “Shades of Mourning.” The album includes nine original compositions, each uniquely touching on themes of grief. Inspired by the death of her grandmother, the album is both about personal and universal emotion. 

Find listings for this album and other new Jewish feminist music, art, theater productions and more in the Happening section of Lilith's current issue!

🔗 in bio.

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