Set in a small town in Ohio and revolving around a workers’ strike at a brush factory, Lillian Hellman’s little-known play, “Days to Come,” was a resounding flop when it debuted on Broadway in 1936. Hellman, who had enjoyed great acclaim for her first play, “The Children’s Hour,” went on to even wider success and fame with her next play, “The Little Foxes.”
But at the opening night of this one, her second-born, as she recalled in her 1973 memoir “Pentimento,” she stood at the back of the theater, sensed that things were going wrong, and vomited. Then she saw William Randolph Hearst and his six guests walk out during the second act. Bad reviews and a quick closing followed.