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Your Jewish and Frankly Feminist Review of Eve Ensler’s New Play

Eve Ensler performing her new show, "In the Body of the World." Photo credit: Joan Marcus.

Eve Ensler performing her new show, “In the Body of the World.” Photo credit: Joan Marcus.

“Do you know what this show is about?” asked my partner, Elan. He knows I don’t like knowing what shows are about before I go in. It makes me feel like I’m waiting for something or expecting something. I already knew it was written by Eve Ensler and that was enough. 

Cancer. The show was about cancer. That’s what Elan wanted me to know going in. He was trying to prepare me, give me a trigger warning, because I beat breast cancer last year. That warning wasn’t needed. Ensler was able to take care of her audience with humor and community in this one-woman show. 

Eve Ensler’s new play, In the Body of the World, had its regional premier at the Manhattan Theatre Club on February 6. Ensler starts by talking about her body and how to find her reference point which leads to a discussion of her work in the Democratic Republic of Congo. She and her team were looking for resources to create the City of Joy, “A sanctuary for healing. A revolutionary center where [women] would turn their trauma and pain into power.” Then, doctors find a tumor in Ensler’s uterus.