Your Jewish and Frankly Feminist Review of “The Wolves”

A scene from the Lincoln Center Theater production of "The Wolves." Photo credit: Julieta Cervantes.

A scene from the Lincoln Center Theater production of “The Wolves.” Photo credit: Julieta Cervantes.

Nine high school girls on a soccer team somewhere in suburban America are discussing, of all things, the Khmer Rouge, during the opening scene of “The Wolves.” This 90-minute wonder of a play is now running at Lincoln Center’s Mitzi E. Newhouse Theater.

One girl admits to never having heard of the Khmer Rouge, a regime that murdered 1.5 to 3 million people before losing power in 1979.

“They’re like Nazis in Cambodia,” answers another.            

“But in the 70s,” adds another girl.

“That’s not quite…” chimes a third, before getting cut off, something that happens often as these girls chat without regard for finished sentences or thoughts. Menstrual blood and other topics are interspersed in their conversation, peppered with outbursts like “omigosh” and frequent four-letter words.

The part that stood out for me was that, confused as many of the girls were about world history, they used Nazis as their touchstone for defining evil. No one argued that point.