A female nominee to chair the Federal Reserve. A male contender for a federal Court of Appeals position. A striving young some-day female president. And, at the center of it all, movie star Uma Thurman making her Broadway debut as Chloe—a conniving political wife doing her utmost to secure a powerful position for her husband.
“The Parisian Woman,” a snappy, entertainingly slimy 90-minute comedy that has just opened on Broadway, certainly has many characters and themes for a feminist to ponder. It’s set in Washington, D.C. in the “present”—yes, right in the middle of the ever-evolving Trump presidency.
While it makes no overt references to Jews aspiring to or attaining high office, that doesn’t mean there is nothing for Jewish feminists to gnaw on.