“The Post,” a new movie starring Meryl Streep and Tom Hanks and directed by Steven Spielberg, could be seen mainly as a saga about the Vietnam-era Pentagon Papers. Or it could be seen as a film about the workings of a newspaper—in this case, The Washington Post.
But, really, what it most feels like is a story about the evolution of a feminist, or at least the beginnings of that evolution. That emerging feminist is Katherine Graham, then the publisher of the Washington Post, a position that had been thrust upon her after her husband’s suicide. She had to make the difficult decision of whether to print contents of the leaked Pentagon Papers despite threats of criminal charges from the White House and warnings from bankers that the move could lead to her company’s demise.