Dear Sophie: The Art of Reproduction in the Age of Ecological Catastrophe

 

So why here, why now? Do you see some beauty here that calls to you? The sheer fact of living? Do you have some role, some service, you are supposed to perform? Do you know something of the future that I don’t?

I think of all the times I have prayed for your inexistence. In bed, my boyfriend unprotected and still inside me, I’m counting the days of the month like the omer, reciting to myself the lines of my favorite Sharon Olds poem, in which she says, speaking from the little yurt of the testicles, “Stay here—for the children of this father it may be the better life.” This poem is my prayer: Stay, Sophie, stay. 

The way that other women pray for a child I pray for no child. 

I don’t want to deny you what you want most in the world. To live, most of all. But I wonder that you can’t find another mother, one who longs for you and would gladly prepare a home for you in her body and her life. Why have you chosen me in particular? That first time I saw you, when you were floating over the bed, you winked at me. This was when I learned your name, Sophie. After my mother, and my great-grandmother. You made it clear that you were here and you were mine and you were waiting for me. 

In my dream I am holding a child. I am playing Solomon, requiring two mothers to divide her. One mother is existence, the other non-existence. Will the real mother please stand up.

I am writing to you between the two poles of Rosh Hashanah and Yom Kippur. At the pivot of the looking to the past and the looking to the future. To whom, to what, I wonder, do I need to make amends. Dear Sophie, should I be sorry for refusing you? Or do I have your best interests at heart? Neither the future nor the past encourages me to bring you into being. The view from both windows looks out on invariable loss. The Holocaust we have lived, the Holocaust (of the earth, the animals) that we are currently living, and all the potential Holocausts to come. Even in the best case scenario, I would be bringing you into life in order to bring you to your eventual and inevitable death. No, I have no need to apologize. 

Yet by not bringing you into being, I am denying you your life altogether. A kind of preemptive abortion. This is what my father—your grandfather—argues when I say I don’t want children. You are refusing a child a chance at life. Would you rather have not been born? he adds, as if by not wanting a child I am negating not only her life but, retroactively, my own, as if opting for childlessness were also a de facto vote for annihilation. The subtext: Are you not grateful to me for giving your life? Yes, I am grateful, every day, to be alive. Would I wish it on an unborn child? Maybe, maybe not. 

Sometimes I wonder if what I feel of your presence is not a future figure but a ghost. The child that might have been born had Margot, my grandfather’s first wife, not died in the camps. The daughter that would have been, in place of the sons that were: the sons of my grandfather and grandmother. Impossible to think that if you existed my father would not. Nor would I. My life in exchange for yours. An impossible Solomonian bind. 

Or are you perhaps the ghost child of my old lover? His then-girlfriend conceived when he was 20, and he accompanied her into the hospital room for the abortion. If you were this child, Sophie, you would be now, inconceivably, 12 years old. I can barely imagine this man as a father. How he would have been trapped in a disfigured marriage, a replication of his childhood with his mother, with whom he shared a bedroom until he was 15. Trapped, because that was his pattern. Why couldn’t you get trapped with me? I pleaded when we were breaking up. With me he felt a sense of freedom, he explained. Free to leave me. 

After the abortion, he and that girlfriend stayed together for three more years, during which time she started carrying a pet rabbit on a leash to replace the child she had lost. As much pain as the abortion brought them, I believe they would have suffered even more with a child. And I understand where they were coming from; I would have done the same. Dear Sophie, I’m glad you didn’t visit me, unwanted, earlier, without asking, because if you had, you wouldn’t exist. Before you were you, I would have killed you. 

So perhaps, Sophie, I am indeed asking for your forgiveness. Forgiveness for my reluctance, my ambivalence, for that tangle of desire and fantasy and adamant refusal. For praying both for your life and your annihilation. You come from a long line of displaced people, so perhaps, after all, this is what you were expecting—to be exiled from your mother’s womb, a refugee in the etheric realm: homeless, placeless, nomadic. To come this far on the boat from the land of the before-life, only to be turned away at the border. I see you standing there at the entrance to this world, your old-fashioned suitcase filled with your grandmothers’ shoes, and I reach out a hand.

Sophie, if we do decide to take those last steps forward together, this is what I ask of you: that you come here with respect for the great gift of your human form; that you care for your body, which is tender and irreplaceable and given to you by your ancestors, and for the worn body of the earth, which is also your inheritance; that you will truly know how you are loved and how great is your capacity for loving; that you are present fully for the duration of your time here. May you experience boredom, joy, uncertainty, and heartbreak. May you learn French and monologues from A Midsummer Night’s Dream and the formula for the radius of a circle. How to read, how to type, how to cook, how to plant a garden. May you know that you are of your ancestors but you are not your ancestors, nor is it your job to save them. They were dead before you got here: live your own life.

So before you enter the world, Sophie, look around. Is this the one you wanted? Is this the one you were hoping for? Dandelions, rivulets, chocolate cake, the New York State thruway, red-tailed hawks, styrofoam cups? Asphalt, seltzer, photons, pomegranates, fire, Elizabeth Gilbert, Led Zeppelin, luna moths, men? Delight, melancholia, claustrophobia, spaciousness, anxiety, discomfort, apathy, and the longing, longing, longing? A world of things and feelings, insides and outsides, beauty and pain, where it will be precisely this exquisite beauty that will hurt you most of all? If so, here it is. Welcome to the place you dreamed of when you dreamed of home.   

Yours truly, 

Nina 



Nina Pick is an editor and poet who is passionate about working at the intersection of depth psychology, radical ecology, and spirituality. She is the author of two chapbooks, À Luz and Leaving the Lecture on Dance. 

The views and opinions expressed in this article are the author’s own and do not necessarily reflect those of Lilith Magazine.