Dimona Twist and The Women’s Balcony (both 2016 releases) are two fine new films grappling with the status of Sephardim and Mizrahim in Israeli society. Screened at the New York Sephardic Jewish Film Festival at the American Sephardi Federation in April, they both seek to uncover the obliteration of Oriental Jews in Israel since the creation of the State. Both discredit long-established stereotypes while puncturing the myth of a Jewish homeland equally welcoming to Jews of all ethnic backgrounds.
Michal Aviad’s revelatory Dimona Twist is a documentary focusing specifically on women of Moroccan and Tunisian descent who immigrated to Israel in the 1950s and 1960s. It is the companion piece to The Women Pioneers (2013), which elucidated the trajectory of Jewish women from Eastern Europe to Mandate Palestine in pursuit of a utopian society. In both films, Aviad excels at capturing the experience of immigration from a female perspective. She strikes a pitch-perfect note when speaking of the disillusionment experienced by these women upon arrival at the Promised Land. Her latest documentary also comes in the wake of a new wave of films, such as Kamal Hashkar’s From Tinghir to Jerusalem (2013), that strive to challenge the official Israeli narrative regarding North African Jews, who were often portrayed by Zionist propaganda as victims of Arab enmity in order to encourage them to emigrate to Israel.